![]() Getting that desired emotional connection to viewers while telling a gripping story in a condensed amount of time requires a delicate touch-a talent that visual developers have spent years refining. It doesn’t hurt that we have exceptionally talented artists who come up with fantastic ideas along the way.” My goal is to work with the visual development team and find the best options possible. “There are countless ways to evoke an emotional connection to a piece through color or framing, in addition to what a character is doing. “When working on cinematics, we’ll collaborate with our concept team to explore options for both character design and environment looks,” says Hill. ![]() We caught up with some members of these teams to discuss what goes into developing cinematic visuals and music.įrom concept sketches and storyboards to final renders featuring the rich, living animation and bold art style that have become hallmarks of the Overwatch universe, the collaborative journey of the visual development process for a number of cinematics is chronicled in the newly-released Cinematic Art of Overwatch: Volume 2.įor creative director Jeff Chamberlain and cinematic director Jason Hill, each cinematic undertaking has been largely driven by the emotions captured in animated form and aroused in the game’s worldwide audience. Together, The Cinematic Art of Overwatch: Volume 2 and the Overwatch: Animated Shorts soundtrack chronicle the hard work and talent of the teams behind the Overwatch shorts. This first animated short-and the many that would follow it-was a marriage of visual and musical passion crafted by the artists and composers whose work on the many Overwatch cinematics has now been compiled into a second artbook and an album. For the first time, we saw the soldiers, scientists, adventurers, and oddities that comprise the ranks of the international task force we would come to know as Overwatch. A world teetering on the brink of anarchy.īut, then, the music segued into a swell of triumphant trumpets. Global devastation wrought by malevolent, seemingly unstoppable robotic entities. As the screen flashed to an image of a frigid Russian warfront littered gun-toting militants and arachnid-like omnics, the music surged into a crescendo of heavy horns and distressed violins while a disembodied voice uttered a single word: Conflict. We’ll have our review and guides coming for you soon!ĮDIT (12:14PM): A previous draft of this article referred to Soldier 76 as “Hero 76.” It’s Monday and I’m sorry.In 2014, the introduction to the world of Overwatch began with the fervent beat of a drum. Overwatch is out May 24th on PC, Xbox One and PlayStation 4. The bad guys in particular show off a lot of that “squash and stretch” technique Blizzard’s talked about in the past. Nevertheless, if you’re an animation nerd like me and love the Disney/Pixar influences in Overwatch‘s style, the above video is definitely worth a look. Sort of a missed opportunity if you ask me! She’s understandably as terrified of Soldier 76 as the thugs he’s dispatching, as anyone would probably be in that situation, but at the end of the day, she’s not the one we’re supposed to get excited about - Soldier 76 is, and the short doesn’t do a whole lot to impart a strong impression of him. Unlike the Hanzo/Genji short, which packed an awful lot of character backstory into its scant few minutes, most of the emotional gravitas in “Hero” lies with the young girl we see in the beginning, Alejandra. At least, I assume that’s what Blizzard was going for. Newbie Overwatch players start out the game’s tutorial as grizzled stock man Soldier 76, so it makes sense that Blizzard would reserve the final slot in its lineup of animated shorts for him.
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